Hiroshima [Unabridged] [Audible Audio Edition] Author: | Language: English | ISBN:
B000054744 | Format: PDF, EPUB
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August 6, 1945. Hiroshima, Japan. The first atom bomb was dropped on this city, killing 100,000 people. Considered a journalistic masterpiece,
Hiroshima tells the story of 6 survivors during the days that immediately followed the bomb. It also includes a final chapter, "Aftermath," written 40 years afterward to explore the fates of those survivors. This timeless, powerful, and compassionate work has become a classic that stirs the conscience of humanity.
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- Audible Audio Edition
- Listening Length: 5 hours
- Program Type: Audiobook
- Version: Unabridged
- Publisher: AudioGO
- Audible.com Release Date: December 16, 1999
- Language: English
- ASIN: B000054744
Hiroshima was published in 1946 - a year after the bomb was dropped - in New Yorker magazine. Uniquely in its history, the magazine devoted its entire issue to Hersey's 30,000 word essay. Only later was it turned into a book; the final chapter on the subsequent lives of the six subjects wasn't written until 1985.
Hersey set out to put a human face on the consquences of the atomic bomb. All earlier news accounts, articles and stories had been focused on the statistics, the science, and the effort that led to the nuclear weapon. Understood in that context, understanding what Hersey was trying to do and say, the book is even more remarkable.
It is not a novel; a novel is a work of fiction. It is an essay, a work of reportage. This story is true. The book is all the more remarkable because Hersey was born and raised in China, the son of missionaries, and had no reason to be sympathetic to or about the Japanese. A war correspondent for Time, he earned a commendation from the U.S. Army at Guadacanal. He cannot fairly be accused of anything but supreme objectivity. By telling the true stories of six survivors in an absolutely straightforward way, without judging the decision to use the bomb, he put an intensely human face on the consequences.
He was criticized at the time and is criticized today for taking the events that day out of context. The bomb is supposed to have saved a million American casualties (a highly suspect figure today). It was supposed to have shortened the war by a year or more. Those critics are themselves missing the true context. At the time, the historical events leading to Truman's decision were well known (although recast in February 1947 by Stinson). Hersey's goal was to make the story real in a new way.
When the atomic bomb dropped at 8:15 a.m. on August 6, 1945, Hiroshima was a thriving city of two hundred forty-five thousand people. By 8:20, one hundred thousand of those people were dead. Combining the broad perspective of the absolute devastation of the city with the tiniest details of six individual lives, John Hersey provides a powerful closeup of a few survivors of the atomic attack on Hiroshima, giving the carnage a human perspective.
Focusing on Mr. Tanimoto, a Methodist pastor; Mrs. Nakamura, the widow of a tailor, and her three children; Dr. Masakazu Fujii, a physician in a private clinic; Fr. Wilhelm Kleinsorge, S. J, a priest in a Catholic mission; Dr. Terufumi Sasaki, a young surgeon at the Red Cross Hospital; and Toshiko Sasaki, a clerk in a tin works, as they survive the initial attack, the author follows their daily movements, their subsequent illnesses, their fears, and the eventual outcomes of their lives. The victims become human, and their concerns become universal, as Hersey shows them digging themselves out and helping their neighbors, filled with an "elated community spirit" in the days and weeks after the bombing.
Details of the fires following the bombing, the unexpected radiation sickness, the mysteries surrounding the kind of bomb this was (some Japanese believed that the allies had sprinkled powdered magnesium over the city and then ignited it), the devastating rains that followed, and the monumental scale of the damage are presented in straightforward, factual style, the horrors of the reality so overwhelming that Hersey had no need to try to control his narrative by selecting details or ordering them for effect.
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