Walt Disney: The Triumph of the American Imagination [Unabridged] [Audible Audio Edition] Author: | Language: English | ISBN:
B000KLPGP8 | Format: PDF, EPUB
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Seven years in the making and meticulously researched - Gabler is the first writer to be given complete access to the Disney archives - this is the full story of a man whose work left an ineradicable brand on our culture but whose life has largely been enshrouded in myth.
Gabler shows us the young Walt Disney breaking free of a heartland childhood of discipline and deprivation and making his way to Hollywood. We see the visionary, whose desire for escape honed an innate sense of what people wanted to see on the screen and, when combined with iron determination and obsessive perfectionism, led him to the reinvention of animation. It was Disney, first with Mickey Mouse and then with his feature films - most notably Snow White, Pinocchio, Fantasia, Dumbo, and Bambi - who transformed animation from a novelty based on movement to an art form that presented an illusion of life.
The author also reveals a wounded, lonely, and often disappointed man, who, despite worldwide success, was plagued with financial problems, suffered a nervous breakdown, and at times retreated into pitiable seclusion in his workshop, making model trains. Gabler explores accusations that Disney was a red-baiter, an anti-Semite, and an embittered alcoholic. Yet whatever his personal failings, Disney appealed to millions by demonstrating the power of wish fulfillment and the triumph of the American imagination.
Books with free ebook downloads available Walt Disney: The Triumph of the American Imagination Epub Free
- Audible Audio Edition
- Listening Length: 33 hours and 24 minutes
- Program Type: Audiobook
- Version: Unabridged
- Publisher: Books on Tape
- Audible.com Release Date: November 16, 2006
- Whispersync for Voice: Ready
- Language: English
- ASIN: B000KLPGP8
Walt Disney has become a legendary character of the twentieth century. So much was written about him, and so much was inaccurate, that the legends often attained a currency that was not deserved. How many times have we heard that he was frozen? Gabler (who was the first of Walt's biographers to work with rare Disney family records) opens the book with this statement (it's not true.)
The truth is much more interesting than that.
Disney was an optimistic, hardworking go-getter with an astounding capacity for concentration who fell in love with the early twentieth century's high technology--motion pictures. Motion pictures drawn by hand.
He had the perseverance to start over again every time he failed artistically and financially. And fail he did. This is one of the most unlikely success stories ever told, since the Disney Brothers studio was working in a marginal field (animation) in a minor city (Kansas, then Hollywood, when the animation studios were all in New York), and attempting to make it as an independent producer just as the big studios were forming, eliminating independent competition in all but a few areas by 1928.
He made it because he had the unfashionable idea that quality would out, he had a tremendous amount of luck and he knew how to make appealing entertainment(Mickey Mouse was NOT the first successful character he created). Disney also had a real genius for hiring talented people. A surprising number of remarkable artists started with him in Kansas City, others were trained right on the studio lot.
Mr. Gabler's book is readable and contains much new information. Who would have thought that Charlie Chaplin was, at one time, Snow White's Prince?
Neal Gabler's Walt Disney: The Triumph of the American Imagination is a very speical book. Every aspect of Disney's life is covered in detail. It is a vivid, acurate book about one of Hollywood's only geniuses.
Disney himself was not a jolly, happy man as we all think he was. Throughout his life he was often depressed and felt lonely. He went through finaical problems at his studio. (The book makes it clear that Disney was an awful businessman.) He overworked himself and his animators. But look at his product! Pinnochio, Snow White, Fantasia and so on.
As he aged, he became less obsessive, less sad, less of a workaholic. Disneyland, perhaps his most successful project finacially, put him out of the debt that he had been dealing with since the beginning of his carreer. He watched his grandchildren grow.
However, Disney's life was cut short due to years of chainsmoking. He greatest dream, EPCOT and Disney World were not fully realized before his death. Instead of the absolutely extraordinary city and vacation area he planned, his company threw together a resort with a lame, already dated world's fair (the oposite of his plan) and a replica of Disneyland.
Gabler, while telling this magnificent story, also puts to rest the legend that Disney was anti-Jew and anti-Black. Disney, while being an avid republican from the 1940s on, was not any of these things. Many Jewish people and Black people were employed at the studio and treated fairly. Disney was a supporter of McCarthy's witchhunts, but only because a terrible, communist-fueled strike took a toll on his studio and work ethic.
It also puts to rest the myth that Disney was frozen. He was cremated! (Other biographies have stated that as well.
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