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*Starred Review* Never forgetting their down-home southern roots even as musical styles changed, the Staple Singers for decades maintained an integrity that strongly appealed to fans and musicians. Music journalist Kot chronicles the amazing story of a family that went from a hardscrabble life in Mississippi to Chicago’s church circuit to worldwide fame, merging the genres of roots, gospel, and soul. Pops’ distinctive guitar playing and Mavis’ big voice became their signatures. They rode the chitlin’ circuit in a Cadillac, with Pops carrying a gun in his attaché case along with their earnings. Kot details their friendships with scores of artists, including Mahalia Jackson, Aretha Franklin, Curtis Mayfield, Bob Dylan (who proposed to Mavis), Johnny Cash, Ray Charles, Bonnie Raitt, and Prince. Drawing on interviews with Mavis and other musicians, Kot details the creative process behind the hits “Heavy Makes You Happy,” “Respect Yourself,” and “I’ll Take You There.” With an exuberance that matches the Staples’ sound, Kot portrays their ups and downs through gospel, the message music of the civil rights era, R & B pop music, the disastrous move to disco, and, finally, trying to find themselves again. Meanwhile, Mavis’ career as a solo artist culminated in a 2011 Grammy for best Americana album. This is a moving tribute to a very talented family and one gracious woman, in particular. --Vanessa Bush
--This text refers to the
Hardcover
edition.
Review
"Kot depicts the endurance of Mavis Staples and her family’s music as an inspiration, a saga that takes us, like the song that inspired this book’s name, to a place where ain’t nobody crying." (
Washington Post)
“[
I’ll Take You There] takes us deep into the golden age of Mavis and her marvelously talented group.” (
Publishers Weekly)
“A biography that will send readers back to the music of Mavis and the Staple Singers with deepened appreciation and a renewed spirit of discovery…. Through it all, the ebullience of Mavis Staples and her music shine through.” (
Kirkus Reviews (starred review))
“Kot chronicles the amazing story of a family that went from a hardscrabble life in Mississippi to Chicago’s church circuit to worldwide fame, merging the genres of roots, gospel, and soul…. This is a moving tribute to a very talented family and one gracious woman, in particular.” (
Booklist (starred review))
“A lively, engaging family biography, written with the Stapleses' cooperation and filled with vivid portraits, celebrity cameos and descriptions of music so evocative I kept wishing the book had come with a set of CDs.” (
Tampa Bay Times)
“Emotional honesty resonates throughout
I'll Take You There. Kot provides an unflinching look into the Stapleses' struggles to maintain their spiritual and artistic integrity…
I'll Take You There is a biography that's well worth the heavenly journey.” (NPR)
"[A] fascinating testimony. . . . Kot’s portrayal of Mavis is deft and balanced, worthy of a performance that, no matter how often you play it, never fails to live up to the promise of its title." (
Chicago Tribune)
“Mavis Staples and the Staple Singers are a mighty river running through more than a half-century of song, connecting Sam Cooke to Prince and Bob Dylan to Wilco. Thoroughly researched and elegantly told, I’ll Take You There offers powerful and inspiring insight into not only American music, but American history.” (Alan Light, author of The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah”)
“Kot’s take on the singer’s immense discography is invaluable, and Staples’ indomitable spirit shines through." (
The A.V. Club)
“A thorough and illuminating biography that offers plenty of revealing details about a group the Band’s Robbie Robertson once likened to ‘a lonely train in the distance.’” (
Paste)
“Involving from beginning to end. . . . [Kot] charts the [Staples] family’s origins in gospel music; their gradual drift into folk, soul and pop; the reverberations of their increasingly political songs during the civil rights era. . . 'I'll Take You There'...is rich musical history." (
New York Times)
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